Poems by Susan Powers Bourne 2017

Susan Powers BourneSUSAN POWERS BOURNE is a practicing poet, artist, editor, author, and herstorian who creates online poetic, artistic, and herstoric content shared and presented each day at her site at http://susanpowersbourne.net.

22 april

earth redresses now
packs away her winter whites
wears only spring-green

. . . . .

haiku © spb

Inklings

One tall candle flame
burns in a sconce.

A black-gowned figure
bisects the scene:

small head — female? —
short hair, downcast eyes.

Candle-light reflects clear
just on the right cheek.

On the table a wineglass
— or is it a chalice? —

between two dark elbows —
long exaggerated arms.

The right hand shows only
four fingers — no thumb.

The left hand must hide
inside the long left sleeve.

One wonders if the hand
above the glass chalice

pauses in blessing —
or prepares to drop

in another poison pill?
She’s contemplating:

making up her mind,
— waiting for a sign?

Everything is long, lean —
enclosed in angled lines:

praying mantis green,
shades of olive walls.

Shadow-swirls dance —
marling every surface.

There’s one tiny bright
emerald-green triangle

between body-table-arm.
Is that the healing hope?

A similar shade of green
— not quite as brilliant —

covers the lower left corner —
where Mara signed her name.

The lonely circles in this piece
surround the candle flame.

Few other organic forms appear:
in chalice — eyes, lips, and head.

For some, the spleen holds light
— is this what the title reflects?

When demon Mara tempted Buddha
beneath the bodhi tree, he reached

down

with his right hand — touched dirt —
and said: The earth is my witness.

Yes, earth witnesses us all today
— amidst darkening — and in light.

. . . . .

Ekphrastic poem reflecting
‘Spleen’ by Mara Rucki

Sapphic

Gifts given and received retain their own marks
made upon skin and bone, memory and soul.
Gifts never given, those retrieved soon after,
make void the giving.

Introducing Meaning

At first glance,
the meanings of culture
seem self-evident.

On closer examination,
they can become
quite complex.

We weave new meanings
using timeless symbols
as ways to shift thinking.

The greatest hope is
to escape eternal life, unite
with universal spirit —

above both meaning
and meaninglessness
found among people.

Open doors must speak
much more than just mechanics:
they have to show context.

And since we cannot require
any or all particular doors to open,
we must find appropriate

requirements, overlooked
so often like magnificent treasures
hidden in plain sight.

Blessings of the rising sun,
clean hands, double rainbows:
everything becomes sanctified.

Blake said in between, there are
doors in the ajar, in liminal places
and people — in errors along

margin notes, frayed edges —
where we open to each other,
when we choose to play.

I say: no longer locked behind
closed doors, windows wide open,
we dance the night away.



Bodhidharma

formulaic notions leave,

fly back to tiny lairs —

wait for foggier days,

before they try again

The Laws of Poetry

contain poems

concrete —

as well as

abstract —

set out

in order —

as if

of essence.

Each poem

is asked

not to judge —

as law demands —

but to engage,

to travel

into

the other.

An Embarrassment

We saw and heard
angels from on high

calling to those still here
working in the fields.

As soon as we saw them,
they all turned red —

like yesterday’s dawns,
last-night’s bonfires —

or did they simply reflect
their own uncertain flames

rekindled and re-stoked
for journeying, within.

Later, we found scarce
crystal-seeds scattered

everywhere — mixed with
bits of old lace, lichen —

lavender buds, a few fallen
feathers here and there —

angel-mulch left to serve
as fertile ground for growth.

The Cross

A gibbet–

two pieces

of timber,

one upon
the other.

Ancient use: execution. Sign or mark made

with ink or finger, present in some material.

A symbol

of death–

the ensign

of a people,

of patience.

Without the Wind

No cats or children chase leaves —

                                                  caps and berets stay on each head.

Pollen won’t move, ‘cept by bees —

                                                  willows still weep, but cannot sway.

No outdoor chimes can ring now —

                                                  lest small children bring their sticks.

Windswept romances by the sea —

                                                 all end in novels — and in reality.

Solar winds won’t reach the earth —

                                                 so the northern lights disappear.

No dust storms, snow squalls occur —

                                                  curtains stand still, without breeze.

Old sailboats rot inside their slips —

                                                  or become planters, for spring tulips.

No more shopping lists, lost notes,

                                                 or faded photographs cross our paths.

Flags cannot ripple, only hang limp —

                                                 political pride, parades take a big hit.

Of course, ascensions must cease —

                                                no whirlwinds anywhere to lift us up.

Yet no one feels pushed, pulled along–

                                                as one cannot lean into what’s not there.

DA: Dodoitsu Acrostic

Done with counting our words,

done with sounding syllables —

it all resonates inside,

surprising the mind.

Cinnamon Sparkles

Cinnamon may hide in the cupboard
or sit in its own special container —
on the sideboard with salt and pepper.

My mother showed me how to sprinkle
powdered cinnamon on electric coils —
create bursts of fragrant sparkling stars.

Later in my life, March became the month
for chewing a cinnamon stick each day —
to cleanse and refresh the body’s systems.

Then, hand-made cinnamon necklaces —
colorful ceramic beads strung with short,
mitre-cut pieces of rolled cinnamon bark.

Some people only know cinnamon buns —
or cinnamon toast, all mixed up with sugar:
this seems a sad taste of unreality to me.

Yes, we need remember cinnamon comes
from trees — cultivated in the Seychelles —
in Madagascar — in China, India, Viet Nam.

Cinnamon has long offered its unique value
around the world. Indeed, cinnamon sparkles
may have been my mother’s best gift to me.

Antakharana

The web, the link,
the blink, the wink.

Yarn that wends through labyrinths;
thin thread that may mend every hole.

Numberless invisible nadis, physical
nerve endings in every foot and hand.

Railroads, highways, natural riverways;
backs and spines of mountainous ranges.

Languages written in stone and on wood,
words in tongues known — and unknown.

All alphabets finally running together —
with each letter as it was originally formed.

Sacred world texts written and unwritten —
so many over-redacted beyond recognition.

The routes that birds and bees follow over
lands and seas; hummingbirds from Mexico.

Everything that has moved across the faces
of earth — all that is beyond and deep within.

Nothing escapes connection: those little tiny
lines that attach, detach, and reattach us all.

Piquant

Spring green

saunters in, slow.

Winter-grey, mud-brown — gone!

Hibernating colors returns,

at last.

Arise from Shadows

Arise from the shadow
of sweet notes, now
turned sour.

Arise from the shadow
of past instruments
alone, unplayed.

Arise from the shadow
of so many strings
still, unstrung.

Arise from the shadow
of a child’s lessons
all left, undone.

Enured on Earth

And when seasons turn again,
you also learn how you (may)
have to turn inward or outward
to sense selfhood like hardwood.
Listen to songbirds — or not —
to understand fuller silence,
language of soundless sounds
and wavelengths of sights unseen.
Let the seasons wash through earth:
it elicits subtle limbic response.
Work to feel sap ebb and flow
and know — all Terra’s seasons
reverberate when and wherever
they will, welcomed or unwelcome.

. . . . .

after Erin Moure’s line:
“And you have to listen to language
and let it work and reverberate.”

Shades of Shalimar

Only Nana could shell
peas fast enough.

Only Nana could jell
her fruit just right.

Only Nana could fell
with one word.

Only Nana could quell
folk with one look.

Only Nana could spell
seven-letter words.

Only Nana could swell
with Canadian Club.

Only Nana could dispel
visitors from away.

Only Nana could dwell
on the hill alone.

Only Nana could foretell
the end of her fast.

Only Nana could leave
without a farewell.

. . . . .

Powers: Nana’s maiden name

Parchment

surfaces
erased, effaced:
overwritten, later —
imposed on, earlier;
in other words,
multi-layered records
created, recycled —
new traces of old
appear – layered
over time.

fearlessness

looking right and left —

dotted swiss, geraniums:

swirling white and green



Building Beauty

Just because it’s old,
doesn’t make it beautiful.

Just because it’s beautiful,
doesn’t make it old.

Beauty can be as ageless,
as endless — as us.

Vintage blue-glass bottles,
bluebirds in the grass.

Light-blue notes echoing
in empty structures.

Untold ancient strictures,
built up, torn down.

Everything thrusts peace
at us, as we rebuild.

Mercy takes flight

cutting our ribbons

we flew like kites through night skies

shedding fragrant tears

Mantra Mystery

A hint: Gate is pronounced

like “gah-tay” —

Gate Gate Para Gate Parasam

Gate Bodhi Svaha.

“Going, going, going on beyond —

always becoming.”

A marvelous thought: movement

toward awakening,

an unfolding process of one who

may not have arrived,

who may not be an end, but itself.

Gates with the long ā’s

are also like that: opening us up.

how April fooled us

with a foot or two of snow

still the spring birds sing